Editor’s Note, vol. 1 (2022-2023)

We live in a world of 280-character flash reviews. You’ve read them — fiery, funny, fast —, likely written a few, and perhaps even contemplated a secret life as an anonymous internet wit. The allure is undeniable and I am sometimes left to wonder if there is still a place for the practice of long- form film criticism.

My uncertainty was laid to rest when the programming team of the 33rd Singapore International Film Festival commissioned a collection of critical and personal essays showcasing and celebrating filmmaking and film writing across Asia. As Mentor and Editor, I worked with 10 writers in the festival’s Youth Critics Program for a period of 6 months.

I am thrilled to present our collective labor of love, hope, and commitment —
the inaugural issue of Atlas.